I wrote about the various possibilities for what Panasonic’s countdown timer for Photokina 2018 could mean, and I was right. Ah, so good to gloat. This was my prediction:
Possibility 4: They really are doing a new, regular FF ML product line. In which case I say they should get ready for massive failure against the existing competition. Unless like the M43 collaboration with Olympus, this is a new collaboration or partnership with another organization that lends it more momentum and credibility. Continue reading “I Was Right About Panasonic’s L-Mount Alliance: The Lumix S Series”
Really Nice Images makes a really nice set of film simulation presets. They are one of the few things I miss after I switched over from Adobe Lightroom to DXO PhotoLab. The good news is, they have now ported their full set of film presets to Capture One Pro! Now, just make this available for DXO PhotoLab as well and I’ll purchase it all over again. 🙂
You can find out more about their products at their website.
The initial line-up of Nikkor S-Line lenses
When Nikon debuted their new full-frame mirrorless camera system the Nikon Z, they also introduced a new product line of lenses to the Nikkor lens family. This is called the S-Line. I watched through the entire live stream of the announcement presentation so it was very clear to me what the S-Line of lenses mean. However, there seems to be a lot of misinformation spread by ill-informed and unethical Youtubers desperate to publish videos for revenue-driving hits without doing any responsible research.
Therefore, I present here a detailed, yet simple to understand explanation of what the new S-Line Nikkor lenses are. Continue reading “Nikon Z Mount Nikkor S-Line Lenses: What is it?”
I am going to complete this introduction quickly. Canon has fully revealed their full-frame mirrorless system. After a few days of reading through the information available from Canon and first-hand accounts, I cannot help but notice it has some major issues compared to its main competition – Sony and Nikon. My focus is on how the end-user is affected, so this article is about real practical considerations. These are issues that the person who is going to hand over their hard-earned money for a Canon R system needs to think through, and they should. Photography is an expensive hobby if you are not making money from it. Continue reading “5 Major Problems with the Canon R System (2018)”
Light and shadow on the bridge
Some of you may have noticed I have been away from posting more regularly for quite a while. The reason is because I have been shooting private portraits for people who want to preserve their precious memories and keep it to themselves. In other words, really nothing much I can share publicly.
So perhaps I will be posting more about opinions on random photography-related news for a while. This is just me blogging about random stuff. Maybe something interesting gets written and shared. Maybe nothing. We’ll see. ;D
The rumour mill has been going very strong for a while for Panasonic this past month. They have a countdown timer for Photokina 2018, and it is a really, really long countdown timer. In fact, it is about the same length as Nikon’s countdown timer for their new product line of Z cameras – nearly a month! One would think that if you have such a long timer you would have something really interesting to announce. Indeed, rumours suggest that Panasonic is going to release a new camera line with a mount size larger than micro-four-thirds. Of course, rumours are rumours. But sometimes there is no smoke without fire, and the timer is truly a long one. So let us try to make some intelligent deductions and manage our expectations. Continue reading “What Is Panasonic Planning For Photokina 2018?”
It was just a year ago when I wrote my guide “4 Tips On How To Avoid Getting SD Cards Corrupted”. I had no idea how relevant it would be now, seeing the paranoia and teeth-gnashing photography geeks are going through at the moment. Yes, both Canon’s and Nikon’s first foray into full-frame mirrorless introduced cameras that only feature one card slot. And if you have read the guide linked above, you would think that it actually does not matter. And you are right! Consider this follow-up article a successor to my original article, with more information and clearer explanations. Continue reading “Is One Card Slot Enough? How to Prevent Corruption For Any Card-based Media.”
While preparing this review, I was reminded again of how ridiculously long the names of Tamron lenses can get. See the name of the lens in the title of this article and think it looks long? Well that is actually not the full name because I trimmed it for the title. For the sake of completeness, I will reproduce the full name of the lens I am reviewing: Tamron SP AF 60mm f/2.0 Di II LD [IF] Macro 1:1. Whew! For the sake of readability I will abbreviate it as the Tamron 60mm f/2M in this review. Continue reading “Real-world Review: Tamron SP AF 60mm f/2.0 Di II LD Macro for portraits”
In my original comparison of raw converters for Nikon NEF files, I mentioned DXO Optics Pro briefly. While it appeared to be a decent RAW processor software, a major shortcoming was that it did not have any local adjustment capabilities. Hence it was a difficult option to recommend, especially since it was not significantly cheaper than competitors which do have local adjustment capabilities and which were selling at similar (or lower!) prices.
Fortunately, things have changed now. DXO Optics Pro has evolved to become DXO PhotoLab and now includes the very highly regarded U Point technology from Nik Collection Plugins for making local adjustments. With this change, the value proposition of DXO PhotoLab has improved dramatically and is now a serious challenger to the other tier 1 RAW processor giants including Adobe Camera Raw (from Adobe CC/Lightroom/Photoshop) and Phase One’s Capture One Pro. Continue reading “Real-world Review: DXO PhotoLab 1.2 with Nikon NEF”
The Nikon AF-S DX Nikkor 35mm f/1.8G (35DX) was introduced in 2009, and launched in commemoration of the 100th anniversary of the death of Henri Cartier-Bresson. HCB almost exlcusively shot with 50mm lenses with his full-frame Leica film camera. The 35DX provides a good approximation to 50mm on full frame and is diminutive enough to give us a fairly small and portable package when paired with a smaller Nikon APS camera body. Indeed, HCB would have approved of its portability as well as its performance. Continue reading “Real-world Review: Nikon AF-S DX Nikkor 35mm f/1.8G”