The Nikon AF-S DX Nikkor 35mm f/1.8G (35DX) was introduced in 2009, and launched in commemoration of the 100th anniversary of the death of Henri Cartier-Bresson. HCB almost exlcusively shot with 50mm lenses with his full-frame Leica film camera. The 35DX provides a good approximation to 50mm on full frame and is diminutive enough to give us a fairly small and portable package when paired with a smaller Nikon APS camera body. Indeed, HCB would have approved of its portability as well as its performance. Continue reading “Real-world Review: Nikon AF-S DX Nikkor 35mm f/1.8G”
2018 July 16 Update: Added an additional image gallery here.
Kit zoom lenses typically do not get a lot of good press because they usually deliver average performance. But it is a disservice to ourselves to dismiss them totally, as different kit lenses from different manufacturers can produce different results. There is also a good reason why the “kit lens” exists – because it covers an extremely convenient and practically useful focal range that satisfies 80% of what most people need. This real-world review of Nikon’s newest DX kit lens (as of mid-2018) AF-P DX Nikkor 18-55mm f/3.5-5.6G VR (abbreviated AF-P 18-55VR for the rest of this review) might change your mind about the usefulness of a kit lens. Continue reading “Real-world Review: Nikon AF-P DX Nikkor 18-55mm f/3.5-5.6G VR”
DX or FX? APS or full-frame sensor? There are many articles and videos which explain the differences between the two formats. But a simple decision guide for users is missing. No problem, it just happens that I’m too lazy to write and qualify a whole bunch of scientific essays anyway – so I’ll just focus on putting together this simple, straight-forward guide to help users decide between DX and FX. Continue reading “The practical decision guide: DX or FX?”