The initial line-up of Nikkor S-Line lenses
When Nikon debuted their new full-frame mirrorless camera system the Nikon Z, they also introduced a new product line of lenses to the Nikkor lens family. This is called the S-Line. I watched through the entire live stream of the announcement presentation so it was very clear to me what the S-Line of lenses mean. However, there seems to be a lot of misinformation spread by ill-informed and unethical Youtubers desperate to publish videos for revenue-driving hits without doing any responsible research.
Therefore, I present here a detailed, yet simple to understand explanation of what the new S-Line Nikkor lenses are. Continue reading “Nikon Z Mount Nikkor S-Line Lenses: What is it?”
The Nikon AF-S DX Nikkor 35mm f/1.8G (35DX) was introduced in 2009, and launched in commemoration of the 100th anniversary of the death of Henri Cartier-Bresson. HCB almost exlcusively shot with 50mm lenses with his full-frame Leica film camera. The 35DX provides a good approximation to 50mm on full frame and is diminutive enough to give us a fairly small and portable package when paired with a smaller Nikon APS camera body. Indeed, HCB would have approved of its portability as well as its performance. Continue reading “Real-world Review: Nikon AF-S DX Nikkor 35mm f/1.8G”
The AF-P DX Nikkor 18-55mm f/3.5-5.6G VR
2018 July 16 Update: Added an additional image gallery here.
Kit zoom lenses typically do not get a lot of good press because they usually deliver average performance. But it is a disservice to ourselves to dismiss them totally, as different kit lenses from different manufacturers can produce different results. There is also a good reason why the “kit lens” exists – because it covers an extremely convenient and practically useful focal range that satisfies 80% of what most people need. This real-world review of Nikon’s newest DX kit lens (as of mid-2018) AF-P DX Nikkor 18-55mm f/3.5-5.6G VR (abbreviated AF-P 18-55VR for the rest of this review) might change your mind about the usefulness of a kit lens. Continue reading “Real-world Review: Nikon AF-P DX Nikkor 18-55mm f/3.5-5.6G VR”
Descending Escalator In X
D610, 18mm, f/5.6, 1/40, ISO 100
I will start this review with a glimpse of the conclusion: Sometimes, you buy into a particular camera brand for certain advantages that you are looking for that is not available in the ecosystem of other camera brands. The AF-S Nikkor 18-35mm f/3.5 – 4.5G ED (abbreviated 18-35G) is a wonder that deserves this honour in the current Nikon lineup. There is no other camera system that offers a wide-angle zoom lens covering a full-frame sensor area that can fulfill a 3X criteria of being so light-weight, so high-performing, and so affordable. Nikon FX users who are looking for a wide-angle zoom and know that you will be stopping-down most of the time, just get the 18-35G now. Continue reading “Long-term User Review: Nikon AF-S Nikkor 18-35mm f/3.5 – 4.5G ED”
Lighted path In The Dark
Nikon D610, 50mm, f/4, 1/125, ISO 1800
To repeat myself in all my long-term review articles: This is not a scientific review with detailed graphs, charts, numbers and corner crops. There are already plenty of these on the internet. I believe those kinds of reviews fulfill a necessary function, but we don’t use our equipment in a laboratory. We use lenses to capture all manners of three-dimensional subjects in a multitude of environments at different distances under myriad lighting conditions. Since I always find myself looking for such actual end-user experience impressions, I decided to do one myself. 🙂
I bought the AF-S Nikkor 50mm f/1.8G (abbreviated 50G) together with the AF-S Nikkor 28mm f/1.8G ED (reviewed here) at the end of 2013, so I have been using it for more than 2 years prior to this review.
Continue reading “Long-term User Review: Nikon AF-S Nikkor 50mm f/1.8G”
Dongdaemun Design Plaza: The Most Photographed Stairs Outside
D610, 28mm, f/8, 1/100, ISO 100
To state the obvious, a long-term user review is a late one. There are already abundant reviews of this lens with detailed graphs, charts, numbers and test shots. I agree that these testing methods fulfill a necessary and much-appreciated function, but solely relying on them is too-narrow minded. We use lenses to capture all kinds of three-dimensional subjects in a multitude of environments at different distances under myriad lighting conditions. Not just in a laboratory of limited size with mundane lighting. There are also questions about rendering aesthetics, which are characteristics that cannot be scientifically measured. When searching for lens reviews, I always find myself looking for end-user-experience articles to supplement those laboratory results.
Hence I figured I should do one of my own. 🙂 Continue reading “Long-term User Review: AF-S Nikkor 28mm f/1.8G ED”
The camera manufacturers continue to produce some extremely cringe-worthy advertisements for their products that scream, “Let me tell you about all these awesome things from the marketing brochures in this made-up narrative! You need to have this!”. For example, look at Nikon’s “Mongolia” and “Bali” promotional videos. These are so hackneyed, un-subtle and condescending they border on being insulting with their “buy these to become a cool world-traveler” undertones. For the sake of good taste I won’t link to those here – but if you want to engage in psychological self-abuse, you can search for those on Youtube. Just don’t blame me for any trauma. Continue reading “Nikkor Promotional Videos By NikonImagingJapan”
Yes, this post is horribly belated. After all national day is on 9 August. I didn’t have a lot of good pictures from national day, since most images look too cliché and the weather was relatively poor – cloudy, hazy with light drizzle. Only two images from SG50!
Tribute To Lee Kuan Yew In SG50 National Day Parade
Nikon D610, 50mm, f/5.6, 1/250, ISO 450
The founding leader and first prime minister Continue reading “Photo Album Week 44-2: Two From Singapore’s 50th National Day. And How Good Is The Nikkor AF-S 50mm f/1.8G?”