As of today, Snapbridge is Nikon’s solution for transferring images wirelessly from their cameras to a mobile phone. So far, reactions of users are generally average. Main complaints revolve around unreliable connections, and a somewhat unintuitive workflow as well as insufficient documentation.
Snapbridge’s welcome screen
Actually, Snapbridge can work well if you understand the underlying technology and the design approach. Continue reading “Guide And Tips For Nikon Snapbridge”
I have updated my Guide To Working With Nikon Capture NX-D, revising recommendations for the Colour Moire Reduction setting. Check it out!
As I mentioned last week, the lack of recent updates is attributed to the fact that I just purchased a copy of Affinity Photo and is playing around with it. Oh, and there is my real-life day job of course. 😛
The topic of today’s blog post is to answer a frequently-asked-question: Do you need a full-featured photo editor such as Photoshop (PS) or Affinity Photo (AP) if you already have a copy of Lightroom (LR)? Continue reading “Do You Need Photoshop/Affinity Photo If You Have Lightroom?”
I have updated my “Guide And Tips For Working With Nikon Capture NX-D” article. There are changes in tips for Picture Control, axial colour aberration and sharpening. Check it out here!
As a photographer progresses from being a simple beginner to becoming an enthusiast, questions of choosing which lenses to add to their arsenal eventually arises. Every photographer eventually asks this question multiple times in a life-long pursuit and maintenance of photography equipment: “Prime lens or zoom lens?”
Like most people, I started out in photography with a trusty 18-55mm zoom kit lens. Then I got a 55-300mm zoom lens to cover the telephoto range. Then I started browsing photography forums and learned about the alleged higher performance of fixed-focal-length prime lenses. After a year or two, I started switching to prime lenses for their higher performance and compact nature. In fact, there was a good full year where every lens in my camera bag was a prime. Then I got a zoom lens again, and as of the date of this article my lens collection consists of one zoom lens and two prime lenses.
Now having stood on both sides of the fence with regards to the zoom versus prime debate, I believe I can provide an unbiased opinion on this matter. I am not interested in some kind of theological or philosophical correctness, but rather in sharing advice with others who may be pondering this matter, so everyone can be well-informed and can make their purchase investments wisely.
Continue reading “Choosing Lenses: Zoom Lens Or Prime Lens?”
Sony A37, 90mm, 1/125, ISO 100
I used to be really, really into macro photography. To be more precise, flora photography. I took pictures of the botanical world regularly. It had become my speciality. I was pretty happy with the results I produced. Macro lenses became a key part of my gear list. An E-mount Sony 30mm f/3.5. An A-mount Tamron 90mm f/2.8. Followed by an F-mount Tamron 90mm f/2.8 VC. Whenever I had a change of camera equipment, a macro lens was sure to follow me. I shot flora subjects diligently for nearly two years. These were my primary subjects in my photographic beginnings.
Continue reading “Macro Lenses: What Not To Use Them For”