While preparing this review, I was reminded again of how ridiculously long the names of Tamron lenses can get. See the name of the lens in the title of this article and think it looks long? Well that is actually not the full name because I trimmed it for the title. For the sake of completeness, I will reproduce the full name of the lens I am reviewing: Tamron SP AF 60mm f/2.0 Di II LD [IF] Macro 1:1. Whew! For the sake of readability I will abbreviate it as the Tamron 60mm f/2M in this review. Continue reading “Real-world Review: Tamron SP AF 60mm f/2.0 Di II LD Macro for portraits”
In my original comparison of raw converters for Nikon NEF files, I mentioned DXO Optics Pro briefly. While it appeared to be a decent RAW processor software, a major shortcoming was that it did not have any local adjustment capabilities. Hence it was a difficult option to recommend, especially since it was not significantly cheaper than competitors which do have local adjustment capabilities and which were selling at similar (or lower!) prices.
Fortunately, things have changed now. DXO Optics Pro has evolved to become DXO PhotoLab and now includes the very highly regarded U Point technology from Nik Collection Plugins for making local adjustments. With this change, the value proposition of DXO PhotoLab has improved dramatically and is now a serious challenger to the other tier 1 RAW processor giants including Adobe Camera Raw (from Adobe CC/Lightroom/Photoshop) and Phase One’s Capture One Pro. Continue reading “Real-world Review: DXO PhotoLab 1.2 with Nikon NEF”
The Nikon AF-S DX Nikkor 35mm f/1.8G (35DX) was introduced in 2009, and launched in commemoration of the 100th anniversary of the death of Henri Cartier-Bresson. HCB almost exlcusively shot with 50mm lenses with his full-frame Leica film camera. The 35DX provides a good approximation to 50mm on full frame and is diminutive enough to give us a fairly small and portable package when paired with a smaller Nikon APS camera body. Indeed, HCB would have approved of its portability as well as its performance. Continue reading “Real-world Review: Nikon AF-S DX Nikkor 35mm f/1.8G”
Here is a companion gallery to my review of the Nikon AF-P DX Nikkor 18-55mm f/3.5-5.6G VR. As I mentioned in my original review, this is a pretty good general-purpose do-almost-everything lens. I have been using it for street photography, a little bit of architecture, some food and still life. Pretty much nearly everything you may need for a travel lens. Even for professional photographers, this lens could suffice for a non-work-related casual day out.
2018 July 16 Update: Added an additional image gallery here.
Kit zoom lenses typically do not get a lot of good press because they usually deliver average performance. But it is a disservice to ourselves to dismiss them totally, as different kit lenses from different manufacturers can produce different results. There is also a good reason why the “kit lens” exists – because it covers an extremely convenient and practically useful focal range that satisfies 80% of what most people need. This real-world review of Nikon’s newest DX kit lens (as of mid-2018) AF-P DX Nikkor 18-55mm f/3.5-5.6G VR (abbreviated AF-P 18-55VR for the rest of this review) might change your mind about the usefulness of a kit lens. Continue reading “Real-world Review: Nikon AF-P DX Nikkor 18-55mm f/3.5-5.6G VR”
As I mentioned last week, the lack of recent updates is attributed to the fact that I just purchased a copy of Affinity Photo and is playing around with it. Oh, and there is my real-life day job of course. 😛
The topic of today’s blog post is to answer a frequently-asked-question: Do you need a full-featured photo editor such as Photoshop (PS) or Affinity Photo (AP) if you already have a copy of Lightroom (LR)? Continue reading “Do You Need Photoshop/Affinity Photo If You Have Lightroom?”
Really Nice Images released version 4.0 of their RNI All Films Pack in the beginning of July. I actually wrote a preview of it earlier, and didn’t come around to doing a review until now. In summary, if you liked what you read in my preview article, you can go ahead and prepare to make a purchase. My impressions have not changed much between then and now. In fact this review will have a lot of cut-and-paste content from the preview article in July.
To recap, the RNI 4.0 All Films pack is priced at 122 USD and existing subscribers get an email with a half-price offer to upgrade. (If you didn’t get your upgrade offer, check out this page.) RNI now offers the All Films pack in Pro and Lite versions. The Pro version gets you everything, while the Lite version gives a smaller selection of presets at a much lower price of 59USD. Continue reading “Really Nice Images All Films 4.0 Review”
There is quite a bit of confusion about the purpose and intended audience of the AF-S Micro Nikkor 60mm f/2.8G ED (Abbreviated 60G in this article). They can be summarized as follow: Continue reading “Real Life Review: Nikon AF-S Micro Nikkor 60mm f/2.8G ED”
It is an oversight of mine that I have not talked about one of my most frequently-used camera gear – my camera shoulder strap. It is really a credit to the Custom SLR Glide One strap system that it is so un-obstructive that I have forgotten that it is there. This is as good a real-world user endorsement as any – it does what it does, gets out of your way so you can do what you do while being barely aware that it is there. A worthy rival to the Black Rapid series of quick-draw shoulder straps. Bravo!
To really describe how the system works, we first have to look at the C-Loop, which forms the main pillar of all of Custom SLR’s products.
Having understood what it is, we can now proceed to take a look at how the Glide One system works. Continue reading “User Review: Custom SLR Glide One Shoulder Strap”
I last visited Seoul in 2014. I certainly was not expecting a return this year. Nevertheless, here I was. Fortunately, things did not go the way of “more of the same” – a pleasant surprise!
Interesting note – the two hotels we stayed with do not provide any dental accessories to guests. This was surprising considering this is rather common practice among most Asian countries and how well developed the tourism industry ought to be in Korea. In fact other than that lack, every other facility of the hotels we stayed in are modern and comfortable. I suppose this would be a trait or practice unique to the hotels here.
Here we have the lobby of the Metro Hotel Myeong-Dong. While it is no luxury hotel, it is clean, comfortable, affordable, pleasingly-decorated, offers adequate services and provides a really good internet connection to guests. Convenient location within the Myeong-Dong shopping and F&B paradise plus close proximity to a subway makes it a really good deal. The default guest room could be a slight squeeze for two, but nothing that seasoned travellers could not handle. There is always an option for a larger guest room at a higher price though.
More to come on Seoul 2016.